老舍先生对于戏曲,不仅能编,而且能唱。记得我高小毕业后,考上了郎家胡同京师第一中学,国文教员就是老舍先生。老舍先生教国文,不是硬梆梆地囿于一篇古文而字斟句酌,他的讲课内容极广,凡是与他讲解的文章有联系的东西,无不涉及。有一次,他讲骆宾王的《为徐敬业讨武曌檄》,从武韦之乱讲到开元、天宝,唐明皇与杨贵妃;从《长生殿》传奇讲到“絮阁”、“小宴”、“闻铃”、“弹词”。他逸兴遄飞地唱了一支[二转货郎儿]的曲子:“想当初庆皇唐太平天下,访丽色把蛾眉选刷……”一边唱,一边用手拍着板。学生们听呆了,不知唱的是什么歌。惭愧我略窥涯涘,因为我从七岁就跟姨父梁惠亭先生学花脸,听说过“昆乱不挡”这句术语,对于昆曲的神秘性,如“颠”、“滑”、“哦”、“擞”、“四眼板”、“橄榄音”等,印象颇深。这时,目击耳聆,老舍先生一本正经地拍着“四眼板”,“颠、滑、哦、擞”地唱起《弹词》来,不由惊佩地暗道一声:“先生真神人也!”这是我多次请求姨父教我昆曲,而姨父辄以“没有神仙胚子不能学昆腔”来拒绝我的要求。又有一次,老舍先生教授诸葛亮的《出师表》,把文章讲透之后,又谈起京剧里的诸葛亮来。他依然 Lao She for drama, not only can be edited, but also to sing. I remember after I graduated from high school, admitted to Lang home alley capital first middle school, Chinese teacher is Mr. Lao She. Mr. Lao She taught Chinese, not hard-hiding in a classical and word-for-words, his lectures very wide, all articles related to his explanation of things that are involved. Once, he spoke of Luo Binwang’s “Wu Xuyi for Xu Jingye”, talking about Kaiyuan, Tianbao, Tangming Huang and Yang Guifei from the Wuwei uprising. From the legend of the “Palace of Eternal Youth” to “Xu Court,” “Small Banquet,” “Wen Bell, ”“ storytelling. ” He Yixing 遄 enclave sang a song [two Zhuanlang Lang children] song: “want to celebrate the first Qing Emperor Tang Taiping world visit Li color to pick eyebrow brush ... ...” while singing, while patting the board with his hand. The students listened, I do not know what song I sing. Ashamed I slightly glimpse of Yasukuni, because I started from the age of seven, just like his uncle, Mr. Leung Wai Ting painted face, I heard “Kunqunbuchu” terminology, the mystery of Kunqu Opera, such as “Britain”, “slip”, “oh ”,“ 擞 ”,“ four-eyed ”,“ olive sound ”, etc., impressed. At this time, witnessed, Master Lao She solemnly patted the “four-eyed,” “Britain, slide, oh, 擞” to sing the “storytelling”, not helplessly underground passage: “Mr. God is also!” This is how many times I asked my uncle to teach me Kunqu Opera, and my uncle refused to my request, “There is no fairy embryo can not learn Kunqu.” Once again, Mr. Lao She, a professor of Zhu Geliang’s “master”, the article thoroughly, talked about in the Peking Opera in Zhuge Liang. He still