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记者:现在有一类战争片是以战争为背景,表现战争对人性的摧残,同时对处于战争中的个体也进行了多元化的描写,这种战争片从战争的表层走向战争的腹地。《天音》的主体倾向是否趋于这类影片? 张华勋:影片之所以命名为《天音》就是想表达全人类对于和平生活向往的一种信息。说来话长,去年纪念世界反法西斯战争四十周年,电影艺术研究中心举办反法西斯影片回顾展,其间展映了廿多部影片,给了我很大的启发。一般战争片都从两军对垒中写战争,或者至多从战争中写大人到小孩,从军人写到家属,但如《士兵之歌》、《燕南飞》、《一个人的遭遇》、《伊万的童年》、《战地浪漫曲》等苏联战争片,则从战壕写到人物的心灵,法西斯在影片中只是一种具象的符号。这类影片从认识的角度,开拓的层次和表现人物的关系上为我们提供了许多经验。
Reporter: There are now a series of war films that take the war as the background to show the devastating impact of the war on human nature and at the same time, carry out a diversified description of the individuals in the war. The war film has moved from the surface of the war to the hinterland of the war. Zhang Huixun: The reason why the film’s name is “Tian Yin” is to express the message that all mankind is longing for peace in life. Long story. Last year marks the 40th anniversary of the world anti-fascist war. The Anti-Fascist Film Retrospective was held by the Film Arts Research Center. During the exhibition, there were more than 20 films showing me great inspiration. General war films are written from the two armies confrontation in the war, or at least from the war to write adults to children, the military wrote to their families, but such as “soldier’s song”, “Yan Nanfei”, “a person’s encounter”, “ Ivan’s childhood ”,“ Battlefield romance ”and other Soviet war films, from the trenches to write the soul of the characters, fascism in the film is only a symbolic. Such films provide us with much experience from the perspective of understanding, the level of pioneering and the relationship between the characters.