好的设计研究,应该密切贴近行业实际。但这种“贴近”不是指对各种设计现象亦步亦趋的描述和解释,而是对设计发展的趋势做出一种前瞻式的批判和引领。本期何非的文章《“新媒体”:技术还是理念》便是这样一篇有观点、有力度的批评文章。作者基于“新媒体”对于当下设计格局的历史性意义,提出“新媒体”带给传统平面设计的不是一种新的技术或者表现手段,而是从技术到理念全方位的真正的革命,并在此基础上思考了未来设计理念的发展方向。而甄明舒、何洁的《我们今天怎样解读张仃?》则从历史思入现实,其中既看到了张仃个人的艺术思想与“工艺美院风格”形成的历史联系,也折射出当今中国设计跃进式大发展的进程中所暴露出的诸多缺环。主持人/祝帅 Good design research should be close to the actual industry. However, this “close to” does not refer to the descriptive and interpretations of various design phenomena, but rather a forward-looking criticism and guidance on the trends of design and development. This issue of non-article “” new media “: technology or concept” is such a point of view, there is a strong criticism of the article. Based on the historical significance of “new media ” for the current design pattern, it is proposed that “new media ” is not a new technology or means of presentation to the traditional graphic design, but rather an all-round and true On the basis of this, I pondered the development direction of the future design concept. And Zhen-Shu Chen, He Jie’s “How we interpret Zhang Ding today?” From the history into the reality, which not only saw Zhang Ding’s personal artistic ideas and “Art Institute style ” formed a historical link, but also reflects the current China Many lacks in the process of leapfrogging design. Host / Zhuai Shuai