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2014年9月9日,在北京东宫影剧院观看来自巴西的戏剧《喀布尔安魂曲》,是部好剧,值得品鉴。此剧打破我原有的肤浅偏见——认为巴西只有足球和桑巴舞。剧场布置简单明了,演员敬业而又富于激情,尤其值得一提的是那精妙绝伦的现场配乐师,他手中来回倒换的乐器如神器一般带来充满激情和震撼的现场感,如果没有他,整部剧必将逊色不少。不过,我更想说的是故事情节,以及由此带给我有关苦难的思索。
On September 9, 2014, watching the drama “Kabul Requiem” from Brazil at the DongGong Theater in Beijing was a good drama worth tasting. This play breaks my original superficial bias - that Brazil has only football and samba. The theater layout is simple and clear, the actor dedicated and passionate, in particular, is worth mentioning that exquisite field musician, his hands back and forth in the exchange of musical instruments such as artifacts generally bring a sense of passion and shock the scene, without him, The whole drama will certainly be inferior to many. However, what I want to say more is the plot of the story and the thought that has given me about suffering.