我们常常能听到“音乐是舞蹈的灵魂”这样的话。的确,在一支编排精良的舞蹈作品中,一曲恰到好处的音乐,会起到非常关键的作用,它不仅可以成功烘托出舞蹈的氛围,更能让观众记忆深刻。不过,在舞蹈编排,特别是青少年的舞蹈编排当中,如何选择和使用音乐,却是让编者们头痛不已的问题。音乐先行?舞蹈先行?就像是“先有鸡还是有蛋”这样的“烧脑”问题一样,音乐和舞蹈,到底谁是谁的灵魂,谁服务于谁?在青少年的舞蹈创编时,究竟该如何正确处理音乐这个难题? We often hear the words “music is the soul of dance.” Indeed, in a well-made dance piece, a just-right piece of music plays a crucial role in not only succeeding in creating a dance atmosphere, but also making the audience memorable. However, how to choose and use music in choreography, especially among young choreographers, is a headache for editors. Music first? Dance first? Like “chicken or egg ” such “brain burning ” issue, music and dance, who is who the soul who serve? In the juvenile dance When compiling, exactly how to deal with the problem of music correctly?