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人们可以选取任何一个空间,把它称之为舞台。当一个人在别人的注视下走到这个空间进行表演创作,这就已经构成了一幕戏剧了。舞台是社会的缩影,它可以包罗万象。然而要在这个舞台上展现生活,使无形的剧本台词要活生生展现在人们面前,演员的语言、行动等等就成了至关重要的手段。恰恰这些手段是需要导演的总体把控,引导演员在舞台上有机的把内心和外部活动串联起来。导演和演员的二度创作,在舞台上合理的行动,正是我今天所要探讨的关键——舞台调度。
People can choose any one space, call it the stage. When a person came to this space under the watch of others for performance, this already constitutes a scene of drama. Stage is a microcosm of society, it can be all-encompassing. However, to show life on this stage and to make the invisible script lines live in front of people, the actors’ language, actions and so on have become the crucial means. It is precisely these means the overall control of the director needs to guide the actors in the stage organically the heart and outside activities in series. The second creation of directors and performers, the reasonable action on the stage, is exactly what I am going to discuss today - stage scheduling.