“卡拉OK”是我国群众文化娱乐形式中的一匹“黑马”,近年来突然跃出,对于人们特别是青年人产生了难以抵挡的诱惑。似乎就是一刹那间,全国已遍地皆是卡拉OK。面对这样一种与出版工作密切相联的潮流,音像出版界却没有及时反应。虽然也出了一些卡拉OK歌曲,但相当一部分属步人后尘,别人出什么样的、怎样出,我们也怎样干,亦步亦趋,与群众的要求相去很远。在这种情况下,《中华大家唱(卡拉OK)曲库》(以下简称《曲库》)的出版,犹如久旱后的甘霖,立即引起强烈的反响。 “Karaoke” is a “dark horse” in the form of mass cultural and entertainment in our country. Suddenly jumped out in recent years has created an irresistible temptation for people, especially young people. Seems to be an instant, the country has been all over the karaoke OK. In the face of such a publishing work closely linked with the trend, the audio-video publishing industry did not respond in time. Although a few karaoke songs are also produced, a considerable part of them belong to the footsteps of others. What kind of people are out there? How are we going to do that? It is also very far away from the demands of the masses. Under such circumstances, the publication of the “Chinese karaoke music karaoke” (hereinafter referred to as “music karaoke”) is like an erection of a long time, which immediately aroused strong repercussions.