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北京的颐和园,乐寿堂前(慈禧寝宫)的庭院里,会看到一块横卧在汉白玉石座上的巨石,上有乾隆皇帝御笔亲题的“青芝岫”三字。在此石围栏外的标注牌上,赫然写着它的俗称——“败家石”。一块石头为何有如此俗称?“败家石”之称来源于明朝著名书画家米万钟。米万钟生于1570年,他是明朝著名的诗人和书画家,出任过太仆少卿、江西按察使,著有《澄澹堂文集》《澄澹堂诗集》《篆隶考伪》等书。他有个祖先更为有名,那就是北宋书画家米芾。米万钟的书法继承了米芾的神韵,被称为“万钟行草得南
In the courtyard of Beijing’s Summer Palace and Longevity Hall (Empress Dowager’s Palace), a boulder lying on a white marble seat will be seen, with the title of ”Qing Zhi Xiu“ on the title of Emperor Qianlong. In this stone fence outside the signboard, impressively written its common name - ”Prodigal stone “. Why a piece of stone so commonly known? ”Prodigal stone “ from the famous Ming Dynasty painter Mi Wanzhong. Mi Wanzhong was born in 1570, he is a well-known poet and calligrapher in the Ming Dynasty, served as too Pui Shaoqing, Jiangxi Province, according to the prosecutor, with ”Cheng Li Tong Papers“, ”Cheng Tong Hall of poetry,“ ”Zhuanli fake“ Other books. He has an ancestor more famous, that is, the Northern Song Dynasty painter Mi 芾. Mi Wanzhong’s calligraphy inherited the charm of Mi Fu, known as ”Wan Zhongxing grass in the south