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谈起新时期戏剧,对我来说既熟悉又陌生。说熟悉,是因为到戏剧学院之后,无论是老师还是同学经常说起。说陌生,是因为到了戏剧学院之后才知道还有新时期戏剧以及人们对这一时期戏剧的关注。我是1986年9月考入哈尔滨艺术学校学习话剧表演的,1989年毕业到哈尔滨话剧院演员团工作。真的是不知道如何来谈新时期导演艺术的发展。只能简单说说自己在学习了徐晓钟老师所著的《向“表现美学”拓宽的导演艺术》和田本相先生主编的《新时期戏剧述论》之后的感想以及自己在艺术实践中的体会。
Talking about drama in the new era is both familiar and unfamiliar to me. Familiar with that, because to the theater academy, both teachers and students often talked about. Said unfamiliar, because after the Theater Academy to know there are new period drama and people’s concern for this period drama. I was admitted to Harbin Arts School in September 1986 to study drama performances, graduated in 1989 to the Harbin Theater acrobatics team work. Really do not know how to talk about the development of directorial art in the new era. I can only briefly talk about my own feelings and my experience in the art practice after learning the “directed art” that shows “widening” by Xu Xiaochu and “the narration of new period drama” edited by Mr. Tian Benxiang.