这个组人不多,作者七、八人,组稿者二、三人,但事情并不少。通常管这个组叫“抓创作”的,其实作品不是什么人抓出来的,而是作者写出来的。我觉得这个观念很重要,不好颠倒了。我们有以下这么些作法,讲出来,请批评指正——对作者一定要热情对待。写话剧剧本难度大、周期长、稿费低。中青年作者的工资不过五、六十,七、八十元一个月,他们肯于用一部中、长篇小说的材料写一篇四、五万字的剧本,不容易,没有一点热爱以至献身于话剧事业的精神是办不到的。因此,要爱护他们。要平等待人,尊重他们的劳动。要肯于承认自己不如作者,至少在他所写的题材上,你不如他们懂得多。不怕不懂,不懂先问,把作者所占有的生活,他对生活的感受,他的立意问清楚了,有了什么意见再 This group is small, the author of seven, eight people, two or three draft, two things, but things are not uncommon. Usually this group called “grasping creation”, in fact, the work is not what people grasp out, but the author wrote. I think this concept is very important, not upside down. We have following these practices, say it out, please comment on criticism - the author must be treated with enthusiasm. Writing drama scripts difficult, long cycle, royalties low. The wages of young and middle-aged writers are only five or sixty, seven or eighty yuan a month. They are willing to write a four-to-five-character script in a medium and lengthy novel, which is not easy or devoid of love or devotion The spirit of the drama business can not be done. So love them. Treat people equally and respect their labor. Be prepared to admit that you are not as good as the author, at least not in the subjects he wrote, you know better than they do. Not afraid to understand, do not know first ask, the author’s possession of life, his feelings of life, his intention to ask clearly, with any comments on