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本文以河南浚县的历史文化脉络为主线,阐述了浚县“泥咕咕”的源流,阐明了浚县“泥咕咕”在中国传统民间玩具群体中的存在关系。从单纯性与丰富性的和谐统一、简括性与具体性的和谐统一、具象性与抽象性的和谐统一这三个方面,对浚县“泥咕咕”的审美特点进行了分析研究,并通过这些形式表现特点,论证了浚县“泥咕咕”在现实世界中物性与心性交融互处的人文特点。同时,对浚县“泥咕咕”的塑作材料及彩绘工艺也进行了简要介绍。
Based on the historical and cultural context of Xunxian County in Henan Province, this paper expounds the origin of Xunxian County and clarifies the existing relationship between XUNXIAN ’s Mud and Golem ’ s traditional folk toy groups in China. From the three aspects of the harmony and unity of simplicity and richness, the harmony and unity of simplicity and concreteness, the harmony and unity of figurativeness and abstractness, this paper analyzes the aesthetic characteristics of Xunxian And through the characteristics of these forms, this paper demonstrates the humanistic features of Xunxian “mud cuckoo ” in the real world in which physical and psychological mixed with each other. At the same time, Junxian “mud cuckoo ” plastic materials and painting process also carried out a brief introduction.