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和声语言是音乐创作中一个必不可少的因素,西方音乐发展几百年来,各个时代的作曲家都力图在和声的使用上有所突破,以形成自己的风格。古典、浪漫主义时期,是大小调和声体系最为辉煌的时期,它在贝多芬、莫扎特、舒伯特等人的发展下达到了极致,自瓦格纳起,作曲家已经不再满足于这类风格的和声,多位作曲家又探索自己音乐作品和声进行的新思路。德彪西的钢琴前奏曲可以说是他和声运用的试验田,在其24首前奏曲中,上述的和声运用方法都得到了充分的
Harmony language is an indispensable factor in the creation of music. For several hundred years after the development of western music, composers in every age have made every effort to make breakthroughs in the use of harmony in order to form their own style. Classical and Romantic period, the most brilliant period of harmony system, reached the extreme under the development of Beethoven, Mozart, Schubert and others. Since Wagner, the composers are no longer satisfied with the harmonies of these styles , A number of composers also explore new ideas for harmony of their musical compositions. Debussy’s piano prelude can be said to be his experimental field of harmony, in all 24 of his prelude, the above method of harmonic use are fully