这两年,台湾电影创作有4个现象:一是电视或小荧幕的逆袭,正如此次参展影片《亲爱的奶奶》,导演瞿友宁虽然不是从小荧幕转过来的,但他也是在电视界取得了比较好的成绩后转而投向电影创作的。二是像《大尾鲈鳗》、《龙飞凤舞》这样的本土题材和励志题材影片越来越多。有人说这一现象与台湾本土性的确立有关。过去,台湾观众对于日本电影和美国电影的接受度较高,尽管有些影片俗不可耐甚至反复抄袭,但台湾观众依然能够接受,甚至在中南部地区还能取得现在得很高的卖座率,但自本土励志题材影片《海角七号》后,情况有所不同。三是合拍片的发展。现如今合拍片的数量越来越多,趋势也越来越明显,但合拍是不是台湾电影唯一的发展之路或是不是比较好的路?目前还不敢说,像《花漾》,在台湾卖座就不如预期,相信在大陆也不会太好。四是类似《女朋友男朋友》、《男方想要的梦想》这类小清新题材的影片在不断涌现,大陆近年也有这样的现象。我认为大家都需要尝试类型片创作,像《痞 In the past two years, Taiwan’s filmmaking has four phenomena: one is the counter-attack on the television or the small screen. As the film “Dear Grandma” was exhibited this time, director Qu Youning, though not from a small screen, After the community has achieved relatively good results in favor of film creation. Second, such as “big tail perch”, “dragon dance” such local themes and inspirational themed movies more and more. Some people say that this phenomenon is related to the establishment of Taiwan’s indigenous nature. In the past, Taiwanese audiences were more receptive to Japanese films and American films. Although some films were vulgar or even plagiarized, Taiwanese audiences were still able to accept them, even in the south central region, but now they have achieved very high attendance rates. However, Since the local inspirational theme film “Cape No. 7”, the situation is different. The third is the development of co-production. Nowadays the number of co-productions is increasing and the trend is becoming more and more obvious. However, co-productions are not the only way for the development of Taiwanese films or is not the better way? At present, Taiwan is not as good as expected hit blockbuster, I believe in the mainland will not be too good. Fourth, similar to the “girlfriend boyfriend”, “the man wants the dream,” such a small fresh movie constantly emerging, the mainland in recent years, there are such phenomena. I think we all need to try the type of film creation, like "ruffian