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本文拟从“庞德与意象主义”“自由诗”“庞德与自由诗”以及“《神州集》作为一种实践”四个部分简要介绍美国诗人埃兹拉·庞德在以意象主义为主要诗学目标活动期间(1912—1917),通过将自由诗的源头回溯到古希腊强调诗歌的音乐性,由此反对当时的意象主义领导人艾米·洛威尔对诗歌韵律的完全抛弃。《神州集》作为诗人此阶段的代表作,既是一种自由诗实践,体现了对韵律和节奏的追求,也是对意象主义的再思考。
This article intends to briefly introduce the American poet Ezra from four parts: “Pound and Imagism” “Free Poems ” “Pound ” and “Free Faith During the period of the target activity of Imagism as the main poetics (1912-1917), Pound traced the originality of free poems to the musicality of ancient Greece by stressing poetry, thus opposing the then imaginative leader Amy Lowe Seoul completely abandoned the rhythm of poetry. As a masterpiece of the poet at this stage, ”Divine Comedy" is not only a kind of free poem practice, which embodies the pursuit of rhythm and rhythm, but also rethinks the imagism.