白居易是我国唐代的一位非常精通音乐的诗人。他在人们所熟知的《琵琶行》中,曾绘声绘色地刻划了一位漂沦江湖的琵琶女的形象,描绘了她在浔阳江舟中弹奏琵琶乐曲的动人情景。不止如此,白居易在他的许许多多诗作中,还记载了唐代的音乐状况,阐述了他的音乐思想,是我们了解唐代音乐史况的一批珍贵资料。从白居易的诗中,可以清楚看到民间音乐在唐代文化生活中所占有的重要地位。在《邓鲂张徹落第诗》中,白居易用寒松独守其“贞”,“枝下无人行”和人们争赏芳艳的牡丹为喻,记载了当时“古琴无俗韵,奏罢无人听”和“众耳喜郑卫”的情景。“郑卫”原指春秋时代郑、卫两国的民间新兴音乐,被统 Bai Juyi is a very proficient poet in the Tang Dynasty in our country. In the well-known “Pipa”, he vividly portrays the image of a lute woman who blew himself up in rivers and lakes and portrays the touching scene of her playing pipa in the Suyangjiang River boat. More than that, Bai Juyi recorded the music status of the Tang Dynasty in his many poems and elaborated his musical thoughts. It is also a valuable source for us to understand the history of the Tang Dynasty music. From Bai Juyi’s poem, we can clearly see that folk music occupies an important position in the cultural life of the Tang Dynasty. In the poem “Deng 鲂 Zhangcher poem,” Bai Juyi Hansen only keep its “Zhen”, “no branches under the branches” and people appreciate the peonies as a metaphor, recorded at that time “ No one listen ”and“ all ears like Zheng Wei ”scene. “Zheng Wei” originally refers to the Spring and Autumn Period Zheng, Wei two new folk music, is the system