臧克家30年代以“泥土”诗风驰名诗坛,被誉为“泥土诗人”.爱农民爱乡村是他的诗品,也是他的人品.他与祖国同命运,抗战时期赴前线,以诗为抗日救亡奔走呼喊,诗风一改苦吟为激越,精雕细刻琢句炼字不见了.然而抗日时期写成的三千余行的《感情的野马》则不同;这几十年来似乎有意不被诗人提起,也似乎被史家评家有意忽略的长篇,却反映了诗人的一段生活,记录了诗人一个时期的感情(特别是婚变),贯穿并发展了诗人前后诗风的基本特征;现实主义的,又极力追逐美;倾诉的情感,又字斟句酌;是自身吟咏,又未忘时代之声. In the 1930s, Zang Kejia was known as “earth poet” by the poetic style of “earth”, loved by peasants as his poetic product as well as his character.He was on the same fate as the motherland, went to the front line during the war of resistance against Japan, However, the “Mustang of Affection” written over 3,000 lines during the Anti-Japanese War was different; it seems that these poets have not intended to be mentioned by the poets for decades , But also seems to be ignored by the historian’s commentator for a long time, but reflects the poet’s life, records the poet’s feelings (especially marriage) in a period of time, runs through and develops the poet’s basic characteristics before and after the poet; realism, Chasing the United States; talk of emotion, but also deliberately deliberate; is their chant, but also did not forget the voice of the times.