老友沈智毅长期供职于上海美术馆,多年前,受几位老画家的影响喜欢上紫砂茶壶,于是就开始了书画壶同缘的牵线搭桥。他常常往返于上海、宜兴之间,联系工厂、结识壶人、挑选壶坯,背回上海,一一登门拜访熟识的书法家、画家、金石家,或写或画或刻,往往几把茶壶费时数月甚至更长,然后呵护婴儿般再将壶坯小心包好,送到宜兴烧成,等到这批茶壶烧好开窑,才算一场“战役”告一段落。有时也难免在画写刻的过程中就受“夭折”,或烧破开裂,但他从无怨言,从头再来,全然不顾颠簸之苦,旅途之累。那时候做壶工人全在工厂上班,做好的壶坯 Old friend Shen Zhiyi long-term work in the Shanghai Art Museum, many years ago, influenced by the influence of several old painters on the purple teapot, so began the pottery matchmaking edge. He often went back and forth between Shanghai and Yixing, contacted the factories, got to know the pot people, picked the jugs and returned to Shanghai. He went to visit the familiar calligrapher, painter, Jinshi house, or wrote or painted or engraved, often teapot Time-consuming months or even longer, and then care about the baby then carefully wrapped Yibin, sent to Yixing firing, wait until these pots boil the kiln, be considered a “battle” come to an end. Sometimes it is unavoidable that during the process of painting and writing, it will be “prematurely broken,” or cracked and cracked. However, he has never complained, and has never mind the pain of jolting and the tired journey. At that time pot workers to work in the factory, good pot blank