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建设高度的社会主义精神文明,既要批判地继承人类几千年来共同创造、积累起来的一切优秀的文化遗产,把它作为我们继续前进、攀登我们这个时代文化高峰的起点,同时也不能把那些掩盖剥削阶级实质的抽象的道德说教奉为经典、圣物,加以推崇。近几年来,理论界、文艺界少数人宣扬抽象的人道主义,人性论,鼓吹抽象的人的价值、人的尊严,实属一种倒退现象。在马克思主义诞生之后,无论东方和西方,都有一批先进的思想家、理论家和文学家先后抛弃了资产阶级人道主义、人性论,自觉地掌握和运用马克思主义世界观来认识世界和改造世界。苏联伟大的无产阶级作家高尔基就是其中的代表。他在后期彻底克服了抽象的人道主义、人性论观点,提倡和宣传无产阶级人道主义。此外,还有一些杰出的苏联作家,他们的世界观是在接受马克思主义教育和参加实际斗争中形成的,因此他们有明确的阶级观点,能够坚持新人道主义,即社会主义人道主义立场。法捷耶夫就属于这一类作家。当前,我国人民正在建设社会主义精神文明,清除精神污染。我们特将这两位作家的有关论述和他们作品的一些片断按发表时间顺序辑录于此,以供文艺工作者研究参考。
To build a high level of socialist spiritual civilization requires critically inheritance of all the outstanding cultural heritage that the humankind has created and accumulated for thousands of years and takes it as the starting point for us to continue to climb the cultural peak of our time and at the same time not to The abstract moral preaching that masks the essence of the exploiting class is praised as a classic and sacred object. In recent years, it is a retrogressive phenomenon that the minority andorical circles of literature and art advocate abstract humanism, human nature, advocate abstract human values and human dignity. After the birth of Marxism, no matter whether the East or the West, a group of advanced thinkers, theorists and writers abandoned the theory of bourgeois humanism and human nature and conscientiously mastered and applied the Marxist world outlook to recognize the world and transform the world. Gorky, the great Soviet proletarian writer, is one of the representatives. In the later period, he completely overcame abstract humanitarian and humanistic views and advocated and propagated proletarian humanism. In addition, there are some outstanding Soviet writers whose world view was formed when they accepted Marxism education and participated in the actual struggle. Therefore, they have a clear class viewpoint and can adhere to the new humanitarianism, that is, the socialist humanitarian standpoint. Fadjev belongs to this category of writers. At present, our people are building socialist spiritual civilization and removing spiritual pollution. We specially put the two writers’ expositions and some of their works in chronological order for the reference of literary and art workers.