起初,一只“鞋”在宣纸上显现,似幻似真。接着,一只一只又一只,单幅的叠加越来越像阅读沿线中不断闪现的路标,重复而单调,不知通往哪里,企图澄清什么。除了墨晕和残彩,这批作品为我们提供的信息如此之少——彭薇剔尽画面中的应有背景和主观意愿,更放弃罗织经营的机巧——画家唯一的兴趣,似乎只是“鞋”本身。 这也不难理解,就像少数怀有 At first, a “shoe” appeared on rice paper, it seems illusory. Then, one by one, one after another, more and more of the single overlay more and more like reading along the constantly flashing signs, repeated and monotonous, I do not know where to go in an attempt to clarify what. In addition to the dizzy ink and the dreadlocks, the information provided by these works is so small that Peng Wei has made all the necessary background and subjective wishes in his picture, and gave up the trickery of the knitting operation - the artist’s only interest seems to be only “ Shoes ”itself. It is not difficult to understand, just like the few cherished