近几年来,不少人对秦腔的前途担忧,感到比别的剧种落后,甚至存在危机云云。对此,我虽然并不过分悲观,但对秦腔演员的青黄不接,特别是男演员后继乏人,确也不无焦急之感。前年我到山西看了青年演员汇报演出,后来又陆续看到或听到我省各地区青年演员的节目,欣喜之余,更增加了对西安市秦腔演员的忧虑。最近,看了西安市青年戏曲演员汇报演出,特别是其中几台秦腔青年演员的精采表演,给秦腔舞台带来了生气,打破了多年来死气沉沉的局面,令人耳目一新, 真是出乎意料之处. 这次青年会演,我觉得有一个显著的特点,就是生角戏(包括小生、须生)较多,出现了多年不见于秦腔舞台的好戏。如小生戏《打柴劝弟》、《白逼宫》,须生戏《打镇台》、《斩姚期》、《临潼山》、《赶坡》等。这些剧目,大部分集 In recent years, many people are worried about the future of Shaanxi Opera and feel worse than other dramas. In this regard, although I am not overly pessimistic, but the singers of the Qin cavity is not connected, especially the lack of actor successors, indeed, no sense of anxiety. Two years ago I went to Shanxi to read the performance of young actors, and later one after another saw or heard the performances of young actors in various regions of our province. Exuperation added more anxiety to Shaanxi opera actors in Xi’an. Recently, I have read the performance report of the Xi’an opera performers, especially the brilliant performance of several young Qin opera actors, which brought the stage to Qinqin and brought out the vitality of the Qinqiu stage. It broke ground for many years and was refreshing. It was a surprise I think there is a notable feature of this youth performance, that is, there are many more lively drama shows (including niche and beings), and there have been many good shows that have not been seen in the Qin and Qing Dynasties for years. Such as the niche play “firewood advised younger brother”, “White House”, must play “playing town”, “cut Yao period”, “Lintong Mountain”, “catch slope” and so on. Most of these shows are set