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如何对待传统的问题,一直是中国传统绘画学习中一个最基本的问题。在中国绘画的发展过程中,不断地出现了“师古”、“师造化”的两种倾向。这两种思想和学习方法的不断交错、影响,直接促进了中国绘画风格的发展和改变。一味的师古并不能为中国画的发展提供有利的条件;“外师造化,中得心源”、“读万卷书,行万里路”这些真知灼识的见解,都极好地为解决这一基本问题指明了方向。
How to treat the traditional problems has always been one of the most basic problems in the study of Chinese traditional painting. In the process of the development of Chinese painting, there are two kinds of tendencies of “ancient teacher” and “teacher of good fortune”. The continuous alternation and influence of these two kinds of thinking and learning methods have directly promoted the development and change of the Chinese painting style. Blindly ancient teachers can not provide favorable conditions for the development of Chinese painting; “good fortune outside the source, ”, “read thousands of books, travel thousands of miles ” These insights are extremely good ideas It pointed out the direction for solving this basic problem.