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中国东北的萨满跳神与朝鲜半岛的固的,呈现出不同民族文化之间既相联系又有差异的特征。以萨满祭祀仪式中使用的萨满铃为例,将田野考察结果与史料记载相互印证,重点考察萨满铃形制的基本特征,可知带铃杆(柄)的素体铃是东北亚萨满祭祀仪式所用萨满铃的典型形态;其形制特征的形成,反映了萨满及其信仰者的星辰崇拜意识。由此可从音乐观的层面对萨满铃进一步加以音乐人类学的阐释,以探索铃声在仪式中的功用及其象征意义。
The shamanism in northeastern China and the solidity of the Korean Peninsula present the characteristics of both interdependence and difference between different ethnic cultures. Taking the shaman bells used in Shaman sacrificial ceremonies as an example, the results of field investigation and historical records prove each other, with a focus on the basic characteristics of Shaman bells, we can see that the body bells with bell (handle) are the northeast Asian shaman The typical form of shaman bells used in ritual rituals; the formation of its shape reflects the consciousness of star worship of the shaman and its believers. From the aspect of music view, this paper can further interpret the saman ring from the perspective of music anthropology to explore the function and symbolic meaning of the ringtone in the ceremony.