受20世纪现代与后现代美学狂潮的影响,如同美术、文学及其他领域一样,20世纪的音乐领域在创作思维和音乐技术的更新发展中也呈现出多元开放的音乐文化景观。作曲家们逐渐大胆尝试一些超越传统的音乐规范的创作试验,虽然这些尝试大部分在听众中并不受认可、有时甚至受到尖锐的批评、怀疑,但作曲家们仍然乐此不疲。现代音乐现象的产生有其特定的历史原因,虽然其中一些作品也成功地超越了传统的音乐规范,但那些极端的、违背了传统听觉审美规律的作品,是否对后世音乐创作具有积极的意义和价值?为此,我们特邀 Influenced by the tide of modern and postmodern aesthetics in the 20th century, as in the fields of art, literature and other fields, the 20th century music field also showed a diverse and open musical cultural landscape in the creative thinking and the update and development of music technology. Composers are boldly experimenting with creative experiments that transcend traditional musical norms. Although most of these attempts are not accepted by the audience, sometimes even sharply criticized and skeptical, the composers are still bored. Although there are some historical reasons for the emergence of modern music phenomenon, some of these works have successfully surpassed the traditional music norms, but are those works that are extremely violated the aesthetic rules of traditional auditory aesthetics and have positive significance for future music creation? Value? To this end, we invited