莫言的小说能融传统与现代、东方与西方于一体,并能将中国传统文化特色与现代派手法进行巧妙而有机的融合,使得他的作品在审美层次上能符合多种读者的审美需求。他的作品之中常常闪现着“酒神精神”(Dionysian spirit)疯狂、野蛮和亢奋的光辉,这一点早已为研究者所注意,并多从尼采对莫言的影响这一角度来进行阐释。事实上,大卫·赫伯特·劳伦斯(David Herbert Lawrence,1885—1930)亦是一位积 Mo Yan’s novel integrates the traditional and the modern, the East and the West, and can skillfully and organically integrate the traditional Chinese culture with the modernist techniques, so that his works can meet the aesthetic needs of many readers at the aesthetic level. The fury of the “Dionysian spirit”, often flashy, brutal, and hyped in his work, has long been noted by researchers and explained in more detail from the perspective of Nietzsche’s influence on Mo Yan . In fact, David Herbert Lawrence (1885-1930) is also a plot