大家知道,概念是反映对象的特有属性的思维形式。从严格的意义上来讲,概念并不归属于社会以某种行政手段制定的范畴,更不应当仅仅停留在“约定俗成”或“姑妄听之”的水平之上。概念是在理论与实践的双向检验中诞生的:人们通过实践,从对象的许多属性中,抽出其最具本质特点的属性,经过缜密的科学论证并再次得到实践的检验后概括而成。事实表明,概念不是永恒不变的,而是随着社会历史和人类认识的不断发展而变化,并逐步趋向于更加完善和合理的。对文学艺术范畴林林总总的概念来说,其产生和发展的过程也概莫能外。本期发表的《究竟是电视还是电影》一文,就对时下流行的“电视电影”这一概念的涵义提出了质疑。该文作者从实践和理论两个方面对“电视电影”的概念界定进行了比较深入的思考和分析,同时,也明确提出了把“电视电影”单纯看作为“电影的衍生品”的诸多弊端。恰如作者在文章中所言:“对电视电影进行属于电影还是属于电视的理论界定,并不是一种口舌之争或理论游戏,只有解决了观念问题,电视电影的创作才能有一种自觉的形态意识,涌现出一批真正意义上的电视电影。”对影视领域某些带有争议性的、又具有重要意义的概念,确实需要我们理论界用科学、严谨、认真的态度进一步的研究和探讨。我们认为,本着实 As we all know, the concept is to reflect the unique attributes of the object’s thinking. In a strict sense, the concept does not belong to the category of social development by some kind of administrative means, nor should it merely remain above the level of “conventional” or “unnoticed”. The concept is born from the two-way test of theory and practice: people extract their most essential characteristics from many attributes of the object through practice, and after careful scientific argumentation and practice test again, they generalize. Facts show that the concept is not immutable, but changes with the continuous development of social history and human knowledge and gradually tends to be more perfect and reasonable. For the extensive concept of literary and artistic scope, the process of its emergence and development is no exception. This issue of “What is a TV or a movie,” a text on the current popular “TV movie” concept of the meaning of the question. The author of the paper makes a deep thinking and analysis of the definition of “TV movie” from two aspects of practice and theory. At the same time, he also clearly put forward many shortcomings of “TV movie” as a “derivative of movie” . As the author puts it, as the author puts it, “The theoretical definition of whether a movie belongs to a movie or to a television is not a verbal battle or a theoretical game. Only by solving the notion of concept can the TV movie’s creative ability have a conscious awareness of form , A series of real TV movies emerge. ”Some controversial and significant concepts in the field of film and television do require further research and discussion by our theorists in a scientific, rigorous and serious manner. We think, in truth