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本文通过对历史上各个艺术家的习艺经验和理论的考察,总结出临摹这一形式对艺术学习具有的不可替代的作用。并结合当前中国学院美术基础教育结构和内容中对传统艺术学习的忽略、轻视和在大力倡导创新性、创造性的时代语境下而仍然不可或缺地进行重返经典现场的吁呼。
This article summarizes the irreplaceable role played by this form of copywriting in art learning through the study of various artists’ historical experiences and theories in history. Combined with the current neglect and contempt for the traditional art learning in the structure and content of the basic art education at the Chinese Academy of Fine Arts, it is still indispensable to return to the classical scene under the context of vigorously promoting an innovative and creative era.