此方幅临《中山王■方壶铭文》由单行拼接而成,尺幅约为对开四尺方。用泥银纸,衔接处以仿古色粗纤维皮纸作衬,纸的质地一粗一精,颜色一亮一暗,对比之间使作品的形式效果格外醒目。写时篆书的结构尽量忠于原范本,而用笔在保持原范本点画挺细如银钩铁画般的美的同时,注意加入柔和的笔意,表现出的是毛笔一 This square adventures “Zhongshan Wang ■ square pot inscription” made by a single splicing, size is about four feet away from the square. With silvery paper, the junction of antiqued coarse fiber paper lining, a rough texture of the paper, the color of a light and dark, the contrast between the form of works particularly striking. When writing, the structure of the seal script should be as faithful to the original template as possible, while using the pen to keep the original template as fine as silver hook iron painting, at the same time pay attention to adding gentle brushstrokes,