《汉宫秋》中的王昭君虽着墨不多,却是一个至关重要且实实在在的悲剧人物。昭君之悲在于作为一个女人的不能自主、因为绝世容貌而被乱臣贼子欺压、被昏君强权撕扯的女性之悲。而昭君却能够深明大义,在外族强权的威逼之下、满朝文武不作为之时,毅然和番平息刀兵,可见其民族气节;至番汉交界纵身投江亦可见其女性意识的觉醒,以最彻底的方式与男权世界决绝,真正实现了对男权挤压的悲剧性超越。 Although Wang Zhaojun in “Han Gong Qiu” does not write much, it is a crucial and real tragic figure. Zhaojun’s sorrow lies in the sorrow of being a woman who can not be self-controlled because of his peerless appearance, being bullied by charismatic priests and being torn by the power of faintness. However, Zhaojun was able to understand the righteous cause. Under the intimidation of foreign powers, when Manchu civil and military novices did not act as their own, they resolutely and peacefully defended their knives and soldiers and demonstrated their national integrity. As a result, In the most thorough manner and the male world, the absolute decline, the real squeeze on the male the tragedy.