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在现代主义乃至国际主义大行其道的20世纪上半叶,基斯勒就像一个孤独的武士。剑之所指,他质疑建筑形态的枯燥单调——为什么我们的房子像竖直的棺材一样顶天立地?剑之所至,他追索建筑本质的内驱动力——建筑将成为影响人体健康与精神世界消退与再生的工具。可以说注重建筑的精神性是基斯勒建筑理念的核心要义,并由此生发出“有机性”“连续性”和“无尽性”等次一级观念。2017年3月11日,在德国柏林马丁·格罗皮乌斯博物馆,已故著名建筑师弗雷德里克·基斯勒的
In the first half of the twentieth century, modernism and even internationalism prevailed, Kisler was like a lonely warrior. Sword refers to his questioning of the boring and monotonous shape of the building - why our house is as indomitable as a vertical coffin? The sword drives him to reclaim the internal driving force behind the nature of architecture - the building will be a source of influence on human health and the spirit The tools of the world to dissipate and regenerate. It can be said that paying attention to the spirituality of the building is the core of the Guisler architectural concept and gives rise to sub-level concepts such as “organicity”, “continuity” and “endlessness”. March 11, 2017 at the Martin Gropius Museum in Berlin, Germany, by the late famous architect Frederick Kissler