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我是徐棻的热诚观众和读者,我感谢她,寄望于她要“坚持进行‘创造自我’的艺术探求”。何谓“创造自我”?这是自有文化艺术史以来,每个作家艺术家都在尽其毕生之力去探求和争取完成的课题,只不过并非每个作家艺术家都真正完成了而已。但是,这个题目出给徐橥,寄望她能够完成,我认为是应该的,合适的。徐棻在当代的戏曲作家中多几分知名度,更多引人注目一些,你会说这与她的才华作品有关,我却要多说一句,这与她是一位倔强的女性也有关。“闺媛填传奇,古人所少”——这是焦循在《剧说》中言及清代长安王筠的《繁华梦》时,所表现的珍视与
I am a dedicated audience and reader of XU Xuan, and I thank her in the hope that she will “insist on the artistic exploration of ’creating oneself.’ What is meant by ”self-creation“? Since the history of culture and art, every writer and artist has devoted his life to exploring and winning the project. But not every writer and artist has actually accomplished it. However, this topic is given to Xu Ying, hope she can finish, I think it should be appropriate. How much Xu Cui is more popular among contemporary opera writers is more notable. You would say that this is related to her talented work. However, I have to say one more thing, which is related to her being a stubborn woman. ”Boudoir fill the legendary, the ancients less“ - this is Jiao Xun in the ”drama“ and the Qing Dynasty Changan Wang Yun’s ”prosperous dream", the performance of the treasure and