论文部分内容阅读
在当代中国成长起来的女作家中,像柯岩这样既写儿童诗、戏剧,又写报告文学、小说、电视剧、散文和评论的女作家,在我印象中还没有第二个。抒情艺术与叙事艺术毕竟有着很大的差异,各种文学体裁也各有自己的规律;写给儿童看的作品和写给成人看的作品更是大不一样,两种读者的接受心理各有自己的特点。而柯岩居然能够把这些多姿多彩的各种文体都把握起来,在广阔的创作领域里自由耕耘,既受到儿童的欢迎,又受到成年读者的青睐,这实在不易,足见她过人的勤奋和卓越的才华。 柯岩是一个充满童心和爱心的作家。她的作品很多都是写给少年儿童阅读的。她有多本儿童诗集和许多题画诗。长篇小说《寻找回来的世界》,电视连续剧《红蜻蜓》等等也
Among the female writers who grew up in contemporary China, female writers like Ke Yan, who wrote not only children’s poetry, drama but also reportage, novels, dramas, essays and commentary, have not got a second impression in me. After all, there are great differences between lyric arts and narrative arts, and various literary genres also have their own laws. The works written for children and the works written for adults are even more different. The two readers have different psychology Own characteristics. Ke Yan actually managed to grasp these colorful and varied styles, freely cultivated in the vast creative field, welcomed by children and favored by adult readers. This is not easy to see that she has extraordinary hard work and Excellent talent. Ke Yan is a writer full of innocence and love. Many of her works are for children and teenagers. She has many children’s poems and many themed poems. The novel “Find the World Back”, the TV series “Red Dragonfly” and so on also