在漫长的绘画史中,人们借助解剖学,物理学的色谱规律等知识,已经把绘画中的写实性发展得淋漓尽致。随后,人们又发现自己同时也失去了一些人类原本的情感和意识,于是绘画中出现了现代派。现代派画家不满足于对客观的写实性描绘,扬弃纯写实性,追求直觉和潜意识活动,把人的内心的情感、情绪通过外在的形象、符号,用不同于前人、不同于别人的方法进行描画和表现。儿童由于不受现实经验的约束,也未形成固定的思维模式,他们在绘画中常常画出与人们主观认识相反的形象,恰好与现代派绘画的表现手法有着相似之处,发人深醒,令人喜爱。但他们的这种表现通常有两种结果:一种是自生自灭,原因是受到了客观世界的异化,潜意识的萌动渐渐地消失了。另一种则受到外界对绘画作品像不像标准的指责,自我受到 In the long history of painting, people use the knowledge of the anatomy and the chromatographic laws of physics to develop vividly their realism in painting. Subsequently, people also found that they also lost some of the original human emotions and awareness, so the emergence of modernist painting. Modernist painters are not satisfied with portraying realistic portraits, abandoning pure realism, pursuing intuition and subconscious activities. They use the external images and symbols of people's inner emotions and emotions to differentiate themselves from their predecessors and others Method to draw and express. Because children are not bound by realistic experience and do not form a fixed mode of thinking, they often draw the opposite image to people's subjective understanding in their paintings, which have similarities with the representations of modernist paintings. Favorite. But their performance usually has two kinds of results: one is self-sufficiency because of the alienation of the objective world, and the unconscious germination gradually disappears. The other is subject to external criticism of painting works like the standard, self-acceptance