1999年秋,中国版画家协会在青岛为二十世纪八、九十年代优秀版画家颂发“鲁迅版画奖”。我因于1996年出版过一部《中国现代版画史》,且稍有影响,也被列入获奖名单之中。大会期间,在人手一册的《中国优秀版画家作品选》中,我读到朱公瑾老师的《晚秋》,顿时眼前一亮,觉得是近些年来难得一见的精品力作,并产生了与他相识的愿望。经到会的湖北美术学院张广慧老师的介绍,我们愉快地相识了。 In the autumn of 1999, the Chinese Association of Print Engravers celebrated “Luxun Print Prize” in Qingdao in the 1980s and 1990s. Since I published a book entitled “History of Modern Chinese Printmaking” in 1996, and with a slight influence, I was also included in the list of winners. During the conference, in the “Selected Works of Chinese Excellent Print Engravers” of a manpower book, I read the late autumn of Zhu Gongjin’s teacher and immediately came to light, which was regarded as rare masterpiece in recent years. Acquaintance wish. After meeting with the introduction of Zhang Guanghui from Hubei Academy of Fine Arts, we met happily.