1961年底我幸运地分配到北京人民艺术剧院,几十年来在这个艺术殿堂里不知吸吮了她多少营养……尽管一些同志说我的戏不是人艺的传统,我想,我肚子里那点本事是从哪里来的,我比谁都清楚——没有人艺就不会有我林兆华,只不过我不愿意做一种风格、传统的奴隶。焦菊隐先生是导演大师,我们过去总结他的中国学派,只强调话剧的民族化是极不全面的。另一方面 At the end of 1961 I was fortunate enough to be assigned to the Peoples Art Theater in Beijing and for decades I had no idea how much nutrition had sucked her in this art palace ... Although some comrades said that my play is not a tradition of art, I think that point in my stomach Where did I come from? I knew better than anyone else - I would not have me without Lin Linhua, but I do not want to be a style, a traditional slave. Mr. Jiao Juyin is the master of the director. In the past, we summarized his Chinese school and emphasized that the nationalization of drama was extremely incomplete. on the other hand