通过9件作品,陈劭雄将上海当代艺术博物馆的展厅塑造成一个可以自由穿梭的城市空间,街道、高架桥、地标性建筑、体育场、广场、公园、展览馆和人,同时是占据物理空间的装置和仅存在于画面或视频之中的形象,虚实交叠、随时转换。如同“大尾象”艺术小组的作品在城市之中——停车场、工地、办公室、街道——游击式地发生,陈劭雄自由的工作方式不仅与广 Through the nine works, Chen Zongxiong shaped the exhibition hall of Shanghai Museum of Contemporary Art into an urban space, streets, viaducts, landmarks, stadiums, squares, parks, exhibition halls and people that can freely move around. At the same time, it is a device that occupies physical space. Only exist in the picture or video image, the actual situation overlap, at any time conversion. Like the work of the “Big Tail Elephant” art group in the city - parking lots, construction sites, offices, streets - where guerrilla activities take place, Chen Tso-hsiung’s free style of work works not only with the wide