早在上个世纪的50年代,一大批脍炙人口、“叫好叫座”的少数民族题材优秀影片,红透影坛,名噪中国。这些经典之作的不朽旋律和动人艺术形象,让观众广为传唱,铭记在心,并经久不衰,弥久愈真。以电影《五朵金花》、《阿诗玛》为代表的传世之作,在中国电影史上形成一股“云南少数民族题材电影热。”“触电”是作家们对编剧电影的“戏称”。就云南作家群体而言,编剧者不多,“触电”者更少。可有一位优秀编剧,却一直“触电”,且屡屡成功,数次获奖,令人刮目相看。他就是云南省文化厅艺术创作中心(省民族艺术研究所)剧目工作室的国家一级编剧、壮族剧作家甘昭沛。 As early as the 50s of the last century, a large number of excellent and excellent films of ethnic minority people, who were well-known and praised in popularity, penetrated the film and became famous in China. These classic works of immortal melody and moving artistic images, so that the audience widely sung, bearing in mind and enduring, as long as the more true. The film “Five Golden Flowers”, “Ashima” as the representative of the handed down in the history of the Chinese film to form a “hot topic of ethnic minority movies in Yunnan.” “Electric shock” is the writer of the screenplay movie “jokingly” . As far as the Yunnan writer community is concerned, there are not many screenwriters, and there are fewer “electric shocks”. Can have a good screenwriter, but has been “electric shock”, and has repeatedly succeeded, winning several times, it is impressive. He is the first-class screenwriter of the repertory studios of Yunnan Provincial Department of Cultural Affairs Art Creation Center (Provincial Institute of Ethnology), and the dramatist of the Zhuang nationality Ganrui Pei.