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2011年,美术界和收藏界发生了一件足以载入史册的事件,那就是元代黄公望的《富春山居图》在中国台湾台北故宫博物院的合璧特展。此事的意义不仅仅在于这件作品自从360多年前的一次火灾断为两段后,人们就再也不曾有窥全豹的眼福,更在于其前半段(被称为《富春山居图之“剩山图”》,收藏于浙江省博物馆)和后半段(被称为《富春山居图之“无用师卷”》,收藏于台北故宫博物院)在361年的分离中又增添了63年隔海相望的情节。于是,这个事件在
In 2011, there was an incident in the fine arts and collectors’ history that was enough to record the history. That was the special exhibition of “Spring Fuchun Residence” of the Yuan Dynasty Huang Gongwang at the National Palace Museum in Taipei, Taiwan. The significance of this matter lies not only in the piece of work since the fire 360 years ago, broken into two paragraphs, people never see the eyes of the panther, but also in the first half (known as the “ In the separation of 361, the ”left mountain map“ ”, collected in Zhejiang Provincial Museum) and the second half (referred to as the“ useless scroll ”of Fuchun Mountain Residence), collected at the Palace Museum in Taipei Added 63 years across the sea plot. So, this event is there