在抗日题材的影视中,人们经常看到:不少的日本上层人物包括将、佐军官,是中国京剧的戏迷。当然,作为影视艺术之人物形象,存在典型化的艺术加工成分。但作为一种现象,并非凭空臆造,是客观存在,是大美京剧对人类的巨大而普遍的吸引力。惟其如此,日本侵略者对于中国的京剧艺术,有一种特别强烈的征服 In the anti-Japanese film and television, people often see: a lot of the Japanese upper class, including the military officer, is a Chinese opera fan. Of course, as the image of film and television art, there is a typical art processing components. However, as a phenomenon, it is not an objective creation but an objective reality. It is a huge and universal attraction for Peking Opera. However, the Japanese invaders have a particularly strong conquest of Chinese opera art