论文部分内容阅读
本文尝试从传播学的角度探讨艺术现象、艺术史写作与受众接受的关系,并以此为基点,切入到对艺术史写作的讨论当中。笔者在讨论中明确指出,隐形在艺术史写作背后的框架,体现了一种历史的利益,这一利益一旦与资本合谋,就会导致一种艺术史的资本写作。笔者认为,这一资本写作涉及到历史与伦理的相关问题,并对艺术史的独立价值产生严重的负面影响。
This article attempts to explore the relationship between artistic phenomena, art history writing and audience acceptance from the perspective of communication science and use it as a starting point to discuss the writing of art history. In the discussion, the author clearly pointed out that the framework behind the writing of art history invisibility embodies a historical interest. Once this interest is colluded with capital, it will lead to the capital writing of an art history. The author believes that this capital writing involves issues related to history and ethics, and has a serious negative impact on the independent value of art history.