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在我们进行戏剧创作的时候,一个必须注意的问题是:为什么要写这部戏?写这部戏要达到怎样的思想与艺术追求?唯其如此,才能在感性上丰富人物形象,在理性上把握人物走向。特别是在传统戏曲统治中国戏剧半壁江山的当下,追求艺术本身的当代意义,显得尤为重要。《贵妃还乡》在某些传统戏曲媚态百出、无病呻吟的自我粉饰中,以其清丽可人的人物形象、感人至深的故事情节,发人深省的思想内涵,赢得了广大观众与有识之士的广泛赞誉。不管有多少偏颇的声音,都难以遮蔽它出水芙蓉般的美丽与充满野性情趣。
One of the issues that we must pay attention to when we make drama creation is why we should write this drama and what kind of ideological and artistic pursuit we should write to write this play. Only in this way can we enrich the character image on the sentimentality rationally Grasp the characters to go. Especially in the current traditional Chinese opera dominated by half of Chinese drama, it is particularly important to pursue the contemporary significance of art itself. In the self-made whitewash that some traditional opera flaunted and groaned without disease, with its elegant and pleasant figure, touching stories and thought-provoking thoughts, it won the audiences and people of insight Widely praised No matter how many biased sounds, it is difficult to cover it out of water-like beauty and full of wild nature.