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石涛是中国古代绘画史上最具影响力和创新精神的画家之一,他以流畅凝重的用笔、酣畅淋漓的用墨、新奇宏阔的构图,给崇古、复古、泥古的清初画坛带来一缕清风。同时,石涛以“一画”论为基础,建立了系统而完整的绘画美学体系,推动了中国传统绘画美学的系统化、理论化发展。本文试图从“一画”论、论“法”、论“我”三个方面出发,探究石涛绘画的美学思想,以求深刻地把握石涛的绘画艺术思想。
Shi Tao is one of the most influential and innovative painters in the history of ancient Chinese painting. With his smooth and solemn ink, his fresh and grand composition, To a ray of breeze. At the same time, Shi Tao established a systematic and complete aesthetic system of painting based on the theory of “one painting”, which promoted the systematic and theoretical development of Chinese traditional painting aesthetics. This paper attempts to explore the aesthetic thoughts of Shi Tao’s painting from three aspects of “one painting”, “law”, “” “me”, in order to profoundly grasp Shi Tao’s painting art thought.