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中国戏曲是世界艺术之林中独树一帜、享有盛誉的民族艺术,是中华民族的骄傲。京剧作为中国戏曲的代表,既然认定是“国粹”,那么,振兴京剧应该是我国社会主义文化工作中的一个基本国策。50年代和60年代前期所以成为京剧乃至整个戏曲历史上最辉煌的黄金时代,固然是由于新中国建立后,戏曲艺人得到了工作保障和生活保障,极大地调动了他们的积极性,但还有一个极重要的原因,那就是党和政府及时地制定了“改戏、改人、改制”的戏改
Chinese opera is a unique and prestigious national art in the world of art and is the pride of the Chinese nation. As a representative of Chinese opera, Peking opera, since it is regarded as “national essence”, revitalization of Peking Opera should be a basic national policy in socialist culture of our country. In the 1950s and early 1960s, it became the most glorious golden age in the history of Peking Opera and even the entire drama. It was because after the founding of New China, the opera entertainers got their job security and living guarantee, greatly arousing their enthusiasm, but there was another A very important reason is that the party and the government formulated the drastic changes in time to “change the opera, change people and reform”