坚琴在古典曲目文献中是件相当罕见的乐器．尤其是以其为主角的协奏曲式更为稀少，不过在克尔特民谣或是其他的世界音乐里他的踪迹却时有所闻．这种带有民族色彩的竖琴比起交响乐团里的现代竖琴少了份来自天上的仙乐质感，却多了份游唱诗人云游四方的沧桑或是带点原枯草根性格? Jianqin is a very rare instrument in the classical track literature. In particular, the concerto style with its protagonists is more sparse, but his tracks are sometimes heard in the Kettal ballad or other world music. Compared with the modern harp in the symphony orchestra, this kind of harp with national colors has less sense of celestial music from the sky, but more of the vicissitudes of the four parties traveling through the poet’s wandering or the original character of subtilis.