《张迁碑》为东汉晚期作品,此时八分书已极度成熟,同期作品已出现程式化的倾向,如《熹平石经》等,而《张迁碑》有意地拉开与法度程式的距离,在笔法、形态构成等方面不断注入个人的审美趣味。一《张迁碑》的总体艺术风格在东汉碑刻中,《张迁碑》以个性鲜明、风格强烈著称。其用笔、笔画形态、结字等均有自身独特的追求,带有十分浓郁的个性色彩,各要素之间有内在的统一性、一致性,风格探索贯穿于始终。所以,我们很容易从碑文掇 “Zhang Qian Monument” is a late Eastern Han dynasty works, at this time the eighth book has been extremely mature, over the same period works have appeared stylized tendency, such as “Xi Ping Shi Jing”, etc., and “Zhang Qian Monument” deliberately opened with the program of Distance, in the brushwork, form composition and other aspects of continuous injection of personal aesthetic taste. A “Zhang Qian monument” overall art style In the Eastern Han Dynasty inscriptions, “Zhang Qian monument” distinctive personality, strong style known. Its use of pens, stroke patterns, knot words and so has its own unique pursuit, with a very rich personality, the elements of the internal unity, consistency, style exploration throughout. So, we can easily from the inscription 掇