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井上有一是对中国当代书坛影响甚大的域外书家之一,他以“书法的解放”“书法是万人的艺术”等论点为中国书界所熟悉。从某种意义上说,井上有一等日本现代书法流派对中国现代书法的勃兴起了推波助澜之功,理解中国现代书法不能绕过此人。然井上有一又是个相当特殊而复杂的存在。论其身份,他是一位日本书家,受教于上田桑鸠,浸润于东瀛而非大陆的书法传统;
Inoue has one of the most influential booksellers in the contemporary Chinese calligraphy scene. He is familiar with the Chinese book industry for his argument that “calligraphy liberation” and “calligraphy is the art of thousands”. In a sense, Inoue has a first-class modern Japanese calligraphy genre that has contributed to the booming of modern Chinese calligraphy and understood that modern Chinese calligraphy can not circumvent this person. However, there is a quite special and complicated existence in the well. As for his identity, he is a Japanese calligrapher who was taught by Ueda Sancho and infiltrated the calligraphy tradition of Japan rather than the mainland.