将妇女写进艺术史,这便等于是创造了女性主义艺术史吗?必须考虑妇女的作用这一呼声不但改变了研究的内容以及与调查相关的内容,而且从政治上对现存的学科提出了挑战.并非是出于遗忘与偏见,妇女才[在艺术史中]被冷落.大多数学科领域中的男性主义对于促成并永保性别等级制度起到了推波助澜的作用.我们对所学的关于世界和民族的看法皆在思想形态上受到了由此而产生的社会秩序的制约.妇女研究不单单关涉到妇女本身,而且关涉到社会体制和意识形态.在世界上其他种种相互扭曲的政权统治——亦即阶级和种族统治——之中,这种社会体制与意识形态维持了男尊女卑制度.然而,女性主义艺术史始于艺术史内部.第一个问题是“曾有过女艺术家吗?”,我们最初是根据撰写艺术史的典型过程和程序来考虑女艺术家的——研究艺术家(传记),收集作品以制作一个作品集(经过认真推敲的目录),提出风格和图像学方面的问题,考证艺术运动和艺术家团体的成员,当然还要提出特质问题.但我们立刻会发现,这种方法显然就像一件紧身衣,在 Writing women into the history of the arts would create a history of feminist art? The need to consider the role of women has not only changed the content of the research and the content relevant to the investigation, but also politically presented existing disciplines Challenges Not out of forgetting and prejudice, women were left out [in the history of art], and masculinity in most disciplines played a role in contributing to and perpetuating the gender hierarchy We learned about what we learned about the world and The ideas of the nation are constrained ideologically by the resulting social order: women’s studies are not limited to the women themselves, but involve the social system and ideology, and the other distorted regimes in the world - That is, class and racial domination - among which the social system and ideology maintained a male inferiority system .However, the history of feminist art began in the history of art.First question was “Have you ever had a female artist?”, We initially considered female artists based on the typical processes and procedures for writing art history - researching artists (biographies), collecting works for making A collection of works (carefully scrutinized catalogs), questions of style and imagery, textual criticism of members of the art movement and group of artists, and of course questions of idiosyncrasy, but we immediately discover that this method is apparently just like a piece Tights, at