在中国古典诗歌中 ,诗人采取的三种类别的视境 ,一方面是诗歌创作本身的技术性因素的体现 ,另一方面也是诗人物理生存在文化上的精神反映。本文即此展开儒、释、道文化阐释下的视境类别的特征表述 ;唐代诗人王维的创作则体现甚具古代文人生存意义的第三种视境类别的特征 In Chinese classical poetry, the three categories of visual environments taken by the poets are not only the embodiment of the technical factors of the poetry itself, but also the spiritual reflection of the poet’s physical existence in the cultural field. This article is to carry out the Confucianism, Buddhism and Taoism interpretation of the visual environment under the characteristics of expression; the Tang Dynasty poet Wang Wei’s creation reflects the very existence of ancient literati significance of the third category of visual characteristics