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中国古典的音乐美学思想,较少“纯艺术论”的色彩,特别是具有代表性的儒家音乐美学思想,着眼于音乐的社会功能,把美学与伦理学合而为一,从道德情感中体验美的境界,以乐为最高境界的情感体验,并以音乐代表国家。尤其是社会条件和艺术环境的制约,使中国的传统音乐进入了一个由“俗”到“雅”,由民间到宫廷的发展轨道。尽管每个乐种都有其不同的历史和生存条件,但也不能脱离其民间性和整体的艺术规律。
Chinese classical music aesthetics thought, less the color of “pure art theory”, especially the representative Confucian music aesthetics thought, focusing on the social function of music, combining aesthetics and ethics into one, experiencing from moral feeling The realm of beauty, the happy experience of feeling as the highest state, and the music on behalf of the country. In particular, the constraints of social conditions and the artistic environment have brought Chinese traditional music into a track of development from “vulgar” to “elegant” and from folk to court. Although each musical genre has its own different historical and living conditions, it can not be divorced from its folk character and the overall law of art.