默斯·堪宁汉毕生致力于对编舞方法的革新和探索,这种不断突破自我的热情使他成为在编舞方法中运用新技术的领军人物。早在20世纪70年代,堪宁汉就曾与电影导演查尔斯·阿特拉斯合作拍摄舞蹈的录像作品,将舞蹈艺术与镜头语言结合起来,成为录像舞蹈的先驱。20世纪90年代,敏锐的堪宁汉开始向电脑艺术领域拓展,将舞蹈创作与电脑的高科技结合起来,开发了名为Life Forms的电脑编舞程序。《两足动物》(Biped)是堪宁汉将舞蹈与电脑技 Mauss Canningham devoted his life to innovation and exploration of choreography, a passion that continually breached the ego, making him the leader in using new techniques in choreography. As early as the 1970s, Canningham collaborated with film director Charles Atlas on filming of dance and combining dance art with lens language to become a pioneer in video dance. In the 1990s, Keannine, a keen artist, started to expand into the field of computer art, combining dance creation with computer technology to create a computerized choreography program called Life Forms. Biped is a Canine dance and computer technology