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本世纪80年代末在西方社会产生的观念艺术,对传统的实体艺术是一次严峻的挑战,它否认艺术存在的实体状态和具有的教育、审美和反映现实的功能,以“我”为中
The concept art produced in western society in the late 1980s posed a severe challenge to the traditional entity art. It denied the entity status of art existence and had the function of education, aesthetic appreciation and reflection of reality. Taking “I” as the criterion